![]() ![]() ![]() Check out Meta-eX for an example of a band from this future. Our lisp heritage means that synthesizers, effects, analysers and musical generators can be programmed and modified live in real time whilst the sound keeps on blasting out. Also included is a system to persist the state in the FRP network in order to save and recall the instrument at a later time. Live Coding Overtone has been designed and engineered for live coding. Both audio and FRP graphs are defined in the same context and compiled simultaneously avoiding a hard division between audio and control logic.Īn FRP implementation is used in the NNdef class to enable livecoding of both audio and FRP code, with hot-swap allowing an interactive workflow. ![]() This paper presents a different approach where functional reactive programming (FRP) is used to define the control logic of the instrument, taking inputs from musical controllers, mobile apps or GUI widgets and sending outputs to the audio graph. We explored the three categories in live performance through an application programming interface library written in SuperCollider. A (sorta) companion repository to co34ptlivecode. In SuperCollider the definition of a Synth is mostly declarative, on the other hand the logic for controlling parameters of a Synth using musical controllers is usually implemented in a different context using callbacks and explicit state. A repository of readmes, techniques, notes and other materials about how i live code in SuperCollider. If your Bela board is up-to-date then SuperCollider will already be installed, however you will want to make sure you are running the latest release which is being updated regularly. The SuperCollider audio synthesis environment allows the definition of Synths, digital instruments which generate sound using a graph of interconnected unit generators. Bringing SuperCollider and Bela together offers a new paradigm for live coding, adding physical interation to the core SuperCollider environment. SuperCollider is a text-based programming environment originally designed for real-time audio synthesis and algorithmic composition.It has since been widely used in acoustic research, interactive programming, and live coding. This paper describes the rationale and design of the ixi lang, a live coding language built on top of SuperCollider. ![]()
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