![]() ![]() ![]() Voraussichtlich werden "Bald Girls" im bogotanischen Nach der erfolgreichen Ausstellung vom im Iberia Center for Comteporary Art in Beijing gehen "Bald Girls" auf Tour nach Südamerika. Girls" have the task to minimize t he temporal and spatialīald Girls – Pink Solution – Bogota, Komlubien, Juli-August 2014 Unfortunately, Single Moms in China are still as discriminated as they were in Germany 100 years ago - a cultural and political time lag. Today "Single Moms" live generally self-determined in Germany like anywhere else in Europe. The situation of those affected has improved by promoting policies. Only in the second half of the 20th century, They mainly used to live under state tutelage. In the 18th and 19th centuries, unmarried women with children in Germany were despised and punished socially. ![]() T ogether with German and international artists, the "Bald Girls" show their subversive art works for an improvement of women's rights. Time, the artists criticiz e in their art works the current social policy in China. They draw on feminist aspectsĪnd go to the root causes of discrimination against "Single Moms" in the Chinese cultural traditions. Objective facts are the "Bald Girls" artists with their works personal experiences or impressions. At the invitation of the Women's Museum Bonn, the group "Bald Girls" takes part in this exhibition. In addition to the documentary part of the exhibition, contemporary artists accompany th is project as History, from the Middle Ages over the 18th century until now adays. In extensive historical part of the exhibition shows how the position of single mothers changed in The Women's Museum Bonn opened in 2014 a large interdisciplinary exhibition "Single Moms". The whole process is indeed time travelling with the spirit of scientific fiction – to go backward to a moment inīald Girls – Timelag – Frauenmuseum Bonn, April–November 2014 Such differences are sure to induce doubts and questions about the art history of different time and in different regions so that peopleĬan make amendments and complements to their art history from new perspectives. Modern art, “Fluxus” is similar to a veiled shadow of history, which is present everywhere at every moment yet still remains somewhat silent.įluxus, as a temporal point in the history and a remarkable milestone in the art history, is destined to be repeatedly interpreted by later generations, and interpretations will be different fromĮach other in different historical and cultural contexts. They never had a comprehensive understanding of Fluxus, and seldom talked about it correctly. Chinese modern artists got their initial perceptual knowledge about Fluxus from a fat chair by Joseph Beuys, a video image by Nam June Paik, or theĮxplanation of what silence means in 4’33’’ in a chapter of a book about art history. On the contrary, the revolution of ideas and experiments of language in “Fluxus” gradually made their way intoĬhina with only fragments and broken pieces. Influence Chinese modern art as a whole combined of language and artistic views. In the past thirty years which has witnessed the birth, development, downturn, transformation and death of Chinese modern art, “Fluxus” has not been a word mentioned frequently. Through the door we know that noises may be sacred, and video is even philosophical. With rebellious ideas and disobedient behaviors, they ended up modern art in the industrial age and George Maciunas, John Cage, Joseph Beuys, Nam June Paik, Yoko Ono, Joe Jonas and Ben Patterson. The past of half a century, as the magnetic head rubs the old magnetic tracks, the linguistic codes of the past are deciphered, and on the dark screen of history flash those mythological names – As a result, performances, events and media constitute the art of “Fluxus”. These performances accumulated toĬhange the essence of meaning and ignite a series of events which were recorded by the emerging video media. This can be seen as a paradox resulting from a prototype alienated through theīut after all, the birth of Fluxus stirred up genuine excitement in its time when the revolution of artistic views illuminated various forms of performance art. In fact, after a long time, Fluxus has also been included in the history of art and become a classic term in art. There is no doubt that nowadays “Fluxus” as a noun referring to an important event in the art history of the 20th century is attached with a label of the past. GOLDEN EAGLE CONTEMPORARY ART SPACE, Nanjing ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |